Students against the War. Part Two

We present the second part of the discussion dedicated to student initiatives. Protest decentralizing and the changing role of universities in Russia are at the heart of this debate.

Students against the War. Part One

Student protest is one of the most visible forms of opposition to Russian aggression in Ukraine. Now when public protests are banned, activists are forced to create new modes of resistance and organization. We publish a conversation between activists about their protest activities, tactical challenges, and future plans.

Why Cultural Boycott?

In late February, on the eve of the opening of the 59th Venice Biennale, the artists of the Russian pavilion, Kirill Savchenkov and Alexandra Sukhareva, announced their refusal to participate in the exhibition as a protest against the war. In his interview for Posle Kirill talks about the circumstances surrounding this decision

Unafraid to Be Called a “National Traitor”

“Where have you been for the last eight years?” is the question the Russian propaganda never tires of asking. Andrei Movchan, a journalist and left-wing activist from Ukraine, talks about his struggle against the far-right, migration, and calls on the Russian left to speak out against the war.

Students against the War. Part Two

We present the second part of the discussion dedicated to student initiatives. Protest decentralizing and the changing role of universities in Russia are at the heart of this debate.

Students against the War. Part One

Student protest is one of the most visible forms of opposition to Russian aggression in Ukraine. Now when public protests are banned, activists are forced to create new modes of resistance and organization. We publish a conversation between activists about their protest activities, tactical challenges, and future plans.

Why Cultural Boycott?

In late February, on the eve of the opening of the 59th Venice Biennale, the artists of the Russian pavilion, Kirill Savchenkov and Alexandra Sukhareva, announced their refusal to participate in the exhibition as a protest against the war. In his interview for Posle Kirill talks about the circumstances surrounding this decision